#Pop six squish uhoh mods

Especially since Lipchitz is by far the worst and least memorable story/verse. It all just feels anticlimactic and doesn’t feel like it makes sense why the song goes from being so dramatic and climaxing on Velma’s backstory just to go to a never-again-mentioned character which just ruins the tone of the song to me. Yet, the song instead then moves back to an unimportant nobody, ‘Lipchitz’, who has the most dull and worst story of them all (a worse version of ‘Six’ tbh) and this is the final story to this epic song? This should surely be the last murderess to explain her story as a grand finale to the song finishing off with the final chorus. It is the longest verse and explains her backstory, and then a longer chorus since she is a major character. This all builds to what should be the climax: ‘Cicero’, sung by one of the leading ladies Velma Kelly’. Uh-Uh’ is a change of pace and tone which works well next, almost like the bridge of the song. They are unique stories from ranging from comedic to scary, setting the mood for the song. The way I see it, ‘Pop’, ‘Six’, and ‘Squish’ are good stories to begin the song with. Have Fun! Feels like we could go on forever this way.īit of a weird query but I never understood the logic behind the order of the murderesses singing in the song from Chicago.

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#Pop six squish uhoh mods

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